In my series of oil-on-canvas paintings,"AMNEZIA", the landscapes are not simple representations of reality, but suspended fragments of memory, as if time and space were dissolving into oblivion.
They evoke personal projections, faded or altered memories, where a child's face is barely sketched, a ruined shelter resists oblivion, puddles reflect an elusive world, or a flock of birds ready to disappear.
In AMNEZIA, the image seems to emerge from nothing, gradually building itself up before the viewer's eyes.
The blurred shapes and diffuse colours reflect the uncertain boundary between what is buried and what resurfaces, between memory and oblivion. Like a dream, only snatches of which are captured on waking, each canvas is a quest, an attempt to hold on to the ephemeral before it fades again.
This world in the making, which takes shape as we approach it, plays on ambiguity and indecision, as if the act of looking could revive what seemed lost. In this way, AMnezia questions our relationship with memory and erasure, leaving room for infinite reinterpretation in which each of us can project our own story.